Always With Me
61cm x 91.4cm
Oil on canvas
Always With Me
No mysterious air surrounds her, and perhaps that is what which lends most to her mystique. She comes, she goes. She embarks on her travels, a few days here, a month or two there. This wisp of a child-woman has engaged on a discovery of her Asian roots, traipsing through the nooks and crannies of Thailand and Hong Kong, to the less travelled routes of Vietnam, Laos and Cambodia, before yielding to the irresistible pull of India and Nepal.
Each homecoming is followed by an outpouring of veiled thoughts and emotions on canvas using oils and acrylic. Inspired by German symbologist Gustav Klimt and the dynamic renditions of Frida Kahlo, Mexico’s painter of renown, Katrina or Kat has embarked on a very similar vein of artistry – colors, symbols, portraits of enigmatic women. A case in point is “Ceasing to Bleed,” showing a woman in Vietnamese attire surrounded by a halo of flowers and brilliant colors, her arm outstretched, sporting a long, savage gash but blood no longer streaming from it. It was done after a deep, personal loss.
Katrina is prolific, rendering both commissioned and gallery artworks with prodigious output, and which find their way to buyers and collectors soon enough. A Magna cum Laude graduate of Fine Arts in the University of the Philippines, Katrina Pallon promises to conquer both frontiers of classroom and gallery. Collectors have began to take notice of her obras, as she has just began her own artistic journeys of discovery littered with symbols.
A very intimate picture emerges of her art as described by a friend and critic:
"After her last solo exhibit, Resurgence, artist Katrina Pallon has become the ferryman transporting her captive audience across the underworld river: in her upcoming exhibit, Illuminata, Pallon now takes us through a grim, mystical nether-region of lanterns, cranes, skulls, and roses. As a reflection of her current emotional status, her works reveal a transitory state, a tunnel that leads to the light: it is the ending night with the break of dawn visible from afar; that quickly fleeting, terribly beautiful moment when you hold your breath in anticipation.
Executed in the artist’s trademark maximalist style, ‘Illuminata’ mythologizes both Pallon’s recent travels across Southeast Asia. Whence before Pallon’s women had been in a state of mourning, the characters in her current exhibit are now in transition–wading out of their entanglement, rising from the emptiness slowly beginning to dissipate.”
“Illuminata” series of paintings will be exhibited at LRI Art Pavilion, 210 Nicanor Garcia St., Bel Air II, Makati City. There will be 12 pieces 4 ft x 4 ft, 3ft x 4ft, and 2ft x 3ft paintings, curated by Mandy Navasero. Open to the public August 12 to 20, 2013, Monday to Saturday, 10 am to 7 pm. For Inquiries, call 8963208 or 09155430482.
A quick update on things that have been keeping me busy apart from preparing for two major exhibitions (a solo one towards the end of this month, and a two-man show on September):
- Shoe Art. I have recently been commissioned to paint a couple of pairs of canvas shoes for a brand that will be launched in Manila. To prepare for painting the actual shoes, I decided to practice on this cheap pair (they’re less than 200 pesos). I’ll be posting more about the project and the shoes I’m currently working on really soon.
- Tattoo Designs. I found time the past weekend to work on overdue designs, which seemed like a breather as I have been working over the past months non-stop on huge oil pieces. The one with skulls and roses is intended to be a backdrop for an already existing raven tattoo. I have a few more unfinished ones, but that will have to wait until after the June exhibit.